If it wasn't already obvious that Dolk's art is far removed from the actual streets and lacking any link what so ever to graffiti culture, decorating Oslo's Central Station sure was the last nail in his overpriced coffin.
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If it wasn't already obvious that Dolk's art is far removed from the actual streets and lacking any link what so ever to graffiti culture, decorating Oslo's Central Station sure was the last nail in his overpriced coffin.
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